border-bottom: 1px solid #ccc; Abstract The collection documents the creative work and personal life of Emily Dickinson, spanning her lifetime, from 1830 to 1886; her family and friends; and the early publication history of her work. The Emily Dickinson Museum was created in 2003 when the two houses merged under the ownership of Amherst College. #main-slider .metaslider .flexslider .flex-direction-nav li a.flex-prev:before { font: 400 26px "Quattrocento Sans"; Some critics believe that Dickinson, over the course of her writing life, came to conceive of her poems as fully realized in their manuscript condition rather than as drafts designed with the printed page in mind. Photo courtesy of Amherst College Archives and Special Collections. text-decoration: none; .pum-title.popmake-title { .home #education h4 { .single-post article.post .entry-header .entry-thumbnail .wp-post-image { 02138-1499 (tel. width: 100%; } var tpg_selector = tpg_str_rev("nottub-tropmi-gpttr nottub-aera-noitces-dda-rotnemele"); } } .bee { font-size: 15px; Emily wrote some 1,789 poems, some contained in letters to friends and family, some sewn together in little bundles called fascicles that Emily stored in her drawers, some written on scraps of paper like shopping lists or envelope flaps. width: 100%; The Collection occupies approximately 21 linear feet of shelf space.This collection includes original poems, manuscripts, and letters from Emily Dickinson to family and friends; images of the poet including the daguerreotype and silhouette; physical artifacts related to Emily Dickinson; manuscript transcriptions; printers' copies and proofs; Mabel Loomis Todd's correspondence, research indices, and writings; and material from or about Dickinson's friends and family, including correspondence, photographs, objects, and scrapbooks. 1861. 1862. font-size: 1.85em !important; 2013 August. } The Emily Dickinson Museum comprises two historic houses in the center of Amherst, Massachusetts associated with the poet Emily Dickinson and members of her family during the nineteenth and early twentieth centuries. Tickets are now on sale through August. .rt-tpg-container .layout1 .rt-holder .rt-detail h3, margin-right: 10px; } Home | Amherst Archipelago Production 1846 Aug-Sep Emily Dickinson travels to Boston for her health. margin-bottom: 15px; The department houses major collections of Emily Dickinson's books and manuscripts, along with extensive holdings of other poets and writers. Only a handful of her poems appeared in print during her lifetime, however, and none under her own name; those few poems were sent to publishers by friends, and she did not have an opportunity to review them before they were printed. width: 22px; @media (min-width: 1200px) { font: 400 40px Lustria; .drop-cap { .search-results article.post .entry-header { position: fixed; font: 400 46px/130% Lustria; left: -50px; background: #2c6eaa; margin: 0 auto; #search-icon .searchform input[name=s] { .home #digital-dickinson img.alignleft { margin: 0; line-height: 1.5; border: 1px solid #ccc; Emily Dickinson Papers at Houghton Library, Harvard University, Cambridge, Massachusetts. The Homestead was the birthplace and home of the poet Emily Dickinson. .fg-default .fg-item { .cool-timeline-wrapper .timeline-main-title { .entry-content .wp-caption { } article.type-post.format-aside .entry-header h1.entry-title { color: white; #footer-widgets .widget a:hover { margin-right: .5em; padding: .75rem; #footer-widgets .widget hr { B. } opacity: 1; body.category #primary, /* HOMEPAGE SLIDER */ float: none; Emily Dickinson Archive makes high-resolution images of Dickinsons surviving manuscripts available in open access, and provides readers with a website through which they can view images of manuscripts held in multiple libraries and archives. Consecrated Eminence. Her first editors, reflecting the conventions of print and the traditions of late nineteenth-century poetry, sometimes changed her words and regularized her grammar, syntax, and rhyme, as well as punctuation and capitalization. _N2.r('documentReady',function(){_N2.r(["documentReady","smartslider-frontend","SmartSliderWidgetArrowImage","SmartSliderWidgetBulletTransition","ss-simple"],function(){new _N2.SmartSliderSimple('n2-ss-2',{"admin":false,"background.video.mobile":1,"loadingTime":2000,"alias":{"id":0,"smoothScroll":0,"slideSwitch":0,"scroll":1},"align":"normal","isDelayed":0,"responsive":{"mediaQueries":{"all":false,"desktopportrait":["(min-width: 1200px)"],"tabletportrait":["(orientation: landscape) and (max-width: 1199px) and (min-width: 901px)","(orientation: portrait) and (max-width: 1199px) and (min-width: 701px)"],"mobileportrait":["(orientation: landscape) and (max-width: 900px)","(orientation: portrait) and (max-width: 700px)"]},"base":{"slideOuterWidth":1200,"slideOuterHeight":600,"sliderWidth":1200,"sliderHeight":600,"slideWidth":1200,"slideHeight":600},"hideOn":{"desktopLandscape":false,"desktopPortrait":false,"tabletLandscape":false,"tabletPortrait":false,"mobileLandscape":false,"mobilePortrait":false},"onResizeEnabled":true,"type":"fullwidth","sliderHeightBasedOn":"real","focusUser":1,"focusEdge":"auto","breakpoints":[{"device":"tabletPortrait","type":"max-screen-width","portraitWidth":1199,"landscapeWidth":1199},{"device":"mobilePortrait","type":"max-screen-width","portraitWidth":700,"landscapeWidth":900}],"enabledDevices":{"desktopLandscape":0,"desktopPortrait":1,"tabletLandscape":0,"tabletPortrait":1,"mobileLandscape":0,"mobilePortrait":1},"sizes":{"desktopPortrait":{"width":1200,"height":600,"max":3000,"min":1200},"tabletPortrait":{"width":701,"height":350,"customHeight":false,"max":1199,"min":701},"mobilePortrait":{"width":320,"height":160,"customHeight":false,"max":900,"min":320}},"overflowHiddenPage":0,"focus":{"offsetTop":"#wpadminbar","offsetBottom":""}},"controls":{"mousewheel":0,"touch":"horizontal","keyboard":1,"blockCarouselInteraction":1},"playWhenVisible":1,"playWhenVisibleAt":0.5,"lazyLoad":0,"lazyLoadNeighbor":0,"blockrightclick":0,"maintainSession":0,"autoplay":{"enabled":0,"start":1,"duration":8000,"autoplayLoop":1,"allowReStart":0,"pause":{"click":1,"mouse":"0","mediaStarted":1},"resume":{"click":0,"mouse":"0","mediaEnded":1,"slidechanged":0},"interval":1,"intervalModifier":"loop","intervalSlide":"current"},"perspective":1500,"layerMode":{"playOnce":0,"playFirstLayer":1,"mode":"skippable","inAnimation":"mainInEnd"},"bgAnimations":0,"mainanimation":{"type":"fade","duration":800,"delay":0,"ease":"easeOutQuad","shiftedBackgroundAnimation":0},"carousel":1,"initCallbacks":function(){new _N2.SmartSliderWidgetArrowImage(this);new _N2.SmartSliderWidgetBulletTransition(this,{"area":10,"dotClasses":"n2-style-8579a7bb352eda7425045dba999d86b4-dot ","mode":"","action":"click"})}})})}); Rebecca Pelky, Lisbeth White, and Carolina Hotchandani headline the July installment of our free, virtual, monthly poetry reading series. Links | Dickinson Electronic Archives } right: 0; } max-width: 400px; Manuscript View for Amherst - Amherst Manuscript # 635 - Excuse me } background-image: none !important; Sign up for our e-newsletter to stay up to date on the latest news & events from the Emily Dickinson Museum. Reproductions of the Emily Dickinson daguerreotype: Mary Adle Allen correspondence concerning Emily Dickinson, Martha Dickinson Bianchi letters to Theodore Longfellow Frothingham, Martha Dickinson Bianchi publication correspondence, Samuel Bowles letters to Austin and Susan Dickinson, Alfred Leete Hampson correspondence concerning Emily Dickinson's papers, Thomas Herbert Johnson correspondence with Theodora Van Wagenen Ward, 19501958, Theodora Van Wagenen Ward notes and correspondence concerning Emily Dickinson, transcript of the evidence given in the Dickinson-Todd trial, manuscripts by friends of Dickinson such as Thomas Wentworth Higginson, Virtual Open House Tour of the Dickinson Collection at Houghton Library, Lecture by Helen Vendler, Emily Dickinson and the Sublime, Harvard University Press's Permissions Department. } float: left; } font-size: .95em; Other critics assert that her manuscript page, with its spaces between words, lines, and stanzas, its ambiguous capitalization and idiosyncratic punctuation, represents Dickinsons radical revision of these conventions. Consecrated Eminence. The volumes are restricted because of their condition, and other copies of the same editions are held by the Houghton Library or in Widener Library. font-weight: 400 !important; } border-color: #850101 !important; Her writing materials range from slit open envelopes, such as "The way hope builds his house," to scraps of wallpaper and a chocolate wrapper. ); all other researchers will be required to use the digital surrogates. background: radial-gradient(rgba(255,255,255,.9), rgba(255,255,255,0), rgba(255,255,255,0)); Open to all, these unique materials can take you to places you never expected. letter-spacing: 0; } line-height: 1.3; } @media screen and (max-width: 1080px) { .rt-col-lg-3 { Houghton's Dickinson Collection is the largest in the world. } #footer-widgets aside.widget_search input#search-form { margin: 10px 0; } #secondary .widget.advanced-sidebar-menu .dashicons { } padding: 5px 0 3px 0 !important; /* FOOTER */ max-width: 50px; Amherst College, which also has a very impressive collection of Dickinson manuscripts and other memorabilia, has done the same. font-size: 20px; display: inline-block; color: #a02121; background: #60853d; text-transform: uppercase; background: #850101; #commentform #submit { info@EmilyDickinsonMuseum.org, I love to write to you it gives my heart a holiday and sets the bells to ringing. Emily Dickinson, L133. border-width: 3px; #footer-widgets aside.widget_search input#search-form:focus { } To request a tour of the room, contact the library. (Jeanie Ashley Bates), 1835- -- Correspondence, Jackson, Helen Hunt, 1830-1885 -- Correspondence, Mather, Ellen A., 1847-1897 -- Correspondence, Anthon, Catherine Scott Turner -- Correspondence, Dickinson, Emily, 1830-1886 -- Manuscripts, Dickinson, Susan Huntington, 1830-1913 -- Correspondence, Emerson, Kendall, 1875-1962 -- Correspondence, Ford, Emily Ellsworth, 1826-1893 -- Correspondence, Higginson, Thomas Wentworth, 1823-1911 -- Correspondence, Montague, George Wm. } border-top: 1px solid #eee; Emily Dickinson Archive @media (min-width: 769px) { background: AliceBlue; } @media (max-width: 680px) { (William Augustus), 1805-1876, Dickinson, Emily, 1830-1886 -- Correspondence, Women poets, American -- 19th century -- Correspondence, Dickinson, Austin, 1829-1895 -- Correspondence, Dickinson, Lavinia Norcross, 1833-1899 -- Correspondence, Bowles, Samuel, 1826-1878 -- Correspondence, Lord, Otis P. (Otis Phillips), 1812-1884 -- Correspondence, Tuckerman, Sarah Eliza Sigourney, 1832-1915 -- Correspondence, Sweetser, Cornelia Peck -- Correspondence, Cooper, Abigail Ingersoll, 1817-1895 -- Correspondence, Todd, Mabel Loomis, 1856-1932 -- Correspondence, Clark, Charles H., 1833- -- Correspondence, Dickinson, Edward, 1803-1874 -- Correspondence, Bowles, Mary Sanford Dwight Schermerhorn, 1827-1893 -- Correspondence, Clark, James Dickson, 1828-1883 -- Correspondence, Norcross, Frances Lavinia -- Correspondence, Loomis, Eben Jenks, 1828-1912 -- Correspondence, Loomis, Mary Alden Wilder, 1831-1910 -- Correspondence, Chickering, Joseph Knowlton, 1846-1899 -- Correspondence, Dickinson, Emily Norcross, 1804-1882 -- Correspondence, Greenough, Jeanie A. Section Navigation Sub Navigation Archives & Special Collections General Information and Hours Collections and Finding Aids Bowles-Hoar Family Papers College Architecture For the most part, then, these poems are fair copies, not real working drafts. . var log_path = tpg_str_rev("gvs.04x04-noci/segami/stessa/"); It is theMuseums missionto spark the imagination by amplifying Emily Dickinsons revolutionary poetic voice from the place she called home. font-family: "Quattrocento Sans"; align-content: stretch; .rt-tpg-container .layout1 .rt-holder { padding: 10px 40px; Between 1999 and 2006, the Collection was reviewed and arranged and described following current archival standards, while maintaining the previous Leyda manuscript numbers. Emily Dickinson Archive provides access to images of nearly all of Emily Dickinsons extant poetry manuscripts. } For those interested in how the collection ended up at Harvard, researchers can consult the introduction to the 2006 facsimile edition of Emily Dickinsons Herbarium. 21 Linear feet (24 archives boxes, 8 half archives boxes, 8 oversize boxes, 6 objects). The Martha Dickinson Bianchi Collection at John Hay Library, Brown University, Providence, Rhode Island.
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